Tuesday 21 May 2013

African Beadwork


African Beadwork

Ostrich-shells, bone and wood were common materials used to make beadwork, which was a popular form of accessory to many eastern and south African citizens. Beads with colour came from Europe in the 19th century and many of them were used to make beautiful decorations, which had an important participation in the social lives of the African tribes.

The way the jewellery is worn and its colour combination carries sentimental meaning. Ornaments are made to display status and life stages such as ‘love, marriage, birth of a child and so on.’ For example, females write ‘love messages’ to males by beading in specific patterns. The main forms of beading consist of squares, diamonds, lines and geometrical shapes and patterns. Beads are wrapped around ‘thick fiber cords’ and arranged on circular hoop-like forms of necklaces worn by married women. If the woman were a widow, the colours of the necklace would differ, the colour black would be predominant in the design.


Samburu women



Samburu men



In Kenya, the samburu people wear a lot of adornment around their necks and their shoulders to display social status with the help of beading. The adornment pieces are often made from a large number of tiny, coloured glass beads. From these beads, it is possible to understand that the wearer is: young, a warrior, elderly, a priest, a virgin, available for marriage, a parent, mother of a warrior, ect. The collars are huge, and detailed with many colours, creating different patterns. They bring attention to the face and make the neck look longer. These women take this adornment as seriously as we take clothing, without it they are ‘naked’.


Ndebele people have an interesting ‘’fertility doll’’. The fertility doll is made and given to a woman by her mother or grandmother on the day she marries. It is also filled with beadwork. The purpose of this doll is to bless her with healthy children. The doll is considered to be bad luck if it is not given to someone else or destroyed after the third child is born.

Local fashion: Beads in the ethnic jewellery of Africa. 2013 [ONLINE] Available at: http://local-moda.blogspot.com/2012/12/beads-in-ethnic-jewelry-of-africa.html

Friday 17 May 2013

African Jewellery



African Jewellery

Many things are done differently in African culture. Africans have different methods of entertainment, their food is different and the way they live in general. They give a certain amount of importance to art, crafts and music. They used various types of materials and created various types of arts and crafts, such as brass objects, leather art work, woodcarvings, sculptures, pottery, paintings and textile. Much jewellery and headgear was created for religious purpose. Jewellery pieces were made using shells, especially cowry shells, which also represented women’s ‘spirituality and fertility’.


The role of tribal jewellery has been an important one ever since African jewellery as old as 75,000 years has been discovered in a cave called Blombos which is located in the South of Africa. The Jewellery consisted of sea snail shells which were filled with little holes which would let thread pass through, allowing them to be worn. Jewellery in African culture was used to show tribal identity, as wealth status, power, body decoration, ‘burial offerings’ and also a currency.


Samburu Woman


‘Elephant bracelets’ in South Africa were worn by the wearers to show respect to Gods whom they worshiped as well as ‘the mighty elephant’.
 In west Africa, jewellery was worn to tell a story. Each Accessory had a spiritual significance.
Certain tribes believed that jewellery could be worn for ‘magical protection and strength’. Superstitious habits led them to believe that some materials had some sort of magical power.







African Culture – Wordiebirdie’s blog. 2013. [ONLINE] Available at: http://wordiebirdie.wordpress.com/2010/09/11/african-culture/
African Tribal Jewellery A Historic Symbol of African Heritage – Interact Chine. 2013. [ONLINE] Available at : http://interactchina.wordpress.com/2011/12/31/african-tribal-jewellery-a-historic-symbol-of-african-heritage/


Thursday 16 May 2013

Influences of African Art



Influences of African Art

African Art and Objects were accused of being ugly by the Victorians. They viewed it as ‘an expression of primitive culture’ and work produced by ‘non-christian heathens’. Views on African art started to change with artists from  the 20th century such as Vlaminck, Matisse, Braque and Picasso who were enlightened by the stylistic structure of the African sculptures. However they didn’t know much about the artists who created the work, nor were they interested in the motives behind it.  
African Art has had its impact and use as a stepping stone in the development of later Movements including Fauvism, Cubism and Abstract Expressionism.




Picasso was heavily influenced by African sculpture and started to use influenced ideas from 1907 to 1909


This 1932 painting by Malvin Gray Johnson titled ’Negro Masks’ was inspired by African Art.


Dog Star: GO SEE How African Art Influenced Modern Artists . 2013 [ONLINE] Available at:
http://www.dogstarnyc.com/2013/03/go-see-how-african-art-influenced.html
Africa: Historic Background. 2013. [ONLINE] Available at: http://char.txa.cornell.edu/nonwest/africa/africahi.htm.

African Textiles




 ‘’In age, variety and beauty, art from Africa is second to none. Africa had traditions of abstract art, performance art, installation art and conceptual art centuries before the West ever dreamed up the names.’’
                                  Holland Cotter,  New York Times.

Traditional African Textiles

Many of us picture dramatic masks, unique textiles and sculptures when we think about African Art. We recognise them for their distinctive appearance and aesthetic quality. however these objects were not made to be used solely for artistic reasons, but for social and religious purposes too.

Weaving formed part of the African culture when the slave trade took place in America. Most slaves knew how weave textiles and the slave owners would benefit off their skill and gain another income from it.

Mostly, the thread was spun by women whilst the men took care of the weaving process. They were thought how to do these things at a young age. Some of them as young as four years old.

They had believed that weaving in the night time would ‘weave silence and darkness into the cloth’ and so the process only took place in daylight. The colour of the woven cloth also had a significant meaning. For example, white cloth which was used by women healers was believed to have some link to water spirits.

Just like today, fashion textiles gives the wearer identity, the Africans also used unique textile patterns which helped them spot members from mutual or different tribes, in other words, outsiders.

Kings showed superiority through the types of cloth they wore or by the number of robes they had.
 






African textiles – Wikipedia, the free encyclopedia. 2013 [ONLINE] Available at:
http://en.wikipedia.org/wiki/African_textiles
une collecte: North African Textiles. 2013[ONLINE] Availableat:
http://unecollecte.blogspot.com/2011/10/north-african-textiles.html
 



African Art History: rock carvings


Historical African Art

Through the history of African art we can see the enthusiasm and energy each generation has successfully nurtured it with. Some evidence dates back to as much as 6,000 years ago. This evidence consists of rock carvings and paintings in a country in southern Africa, Namibia.
The San people (also known as Bushmen) were the primitive hunter-gatherers in (southern) Africa. They believed in the importance and power of the shamans (mystical men with magical powers) and these beliefs were presented in their artwork.
In Namibia, a site called Twyfelfontein is home to historical rock engravings. It has been occupied for 6,000 years, first by the san people and then by the ‘Khoikhoi herders’. It was a place of worship for both of the ethnic groups, and during the process of carrying out ‘shamanist rituals’, some 2,500 rock carvings and rock paintings have been created.
The most popular of these engravings are known as the lion man, giant giraffe and a dancing kudu.


From left to right; giant giraffe, lion man (with a hand for a tail), other scattered small animals.
The dancing kudu.


African Art History. 2013 [ONLINE] Available at: http://www.all-about-african-art.com/african-art-history.html
Bushmen – Wikipedia, the free encyclopedia. 2013 [ONLINE] Available at: http://en.wikipedia.org/wiki/Bushmen